The objective of the film is that the Rebels need to destroy the Death Star, and how they accomplish this objective makes for an unbelievably entertaining two hours of cinema. All these wrinkles make the story so unique, and it’s this last wrinkle that actually becomes the focus of this movie. And the bad guys also have a space station that is capable of destroying entire planets. The bad guys are in the midst of fighting a galactic civil war. The princess also knows the location of vital information to the bad guys. The hero going to rescue her is not alone he is accompanied by a rag-tag group of unlikely friends. First and foremost, the damsel in distress is not the victim she’s a strong and empowered leader. But George Lucas manages to flip this trope completely on its head. It’s based off a pretty common literary trope: a princess, also known as the damsel in distress, needing to be rescued by a hero. This story is probably the most unoriginal story in the ‘Star Wars’ saga at its core. And it gave me a lot to review 41 years later. A New Hope changed the world of film and, simply, the world, as a whole.
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Nonetheless, despite all the naysayers, George Lucas released Star Wars (shortened from its original title and later renamed A New Hope), and the movie quickly became a cultural phenomenon.
A space opera with blasters, laser-swords, and floating objects definitely did not coincide with the rest of popular cinema. Vietnam, Watergate, oil shortages, recessions-all led way to highly depressing and gritty films. Films, at this point in American history, were very reflective of the times. The bizarre part about Lucas’ new project was that a movie as far out there as this one had never been brought to the big screen. Yes, the title was a bit odd, but that’s not why people in the industry thought George Lucas was so crazy. In the early 70s, George Lucas began working on a film entitled Star Wars: The Adventures of Luke Starkiller as taken from the “Journal of the Whills”. In light of the recent Thanksgiving holiday, I just want to tell you how grateful Greg and I are to have such devoted and enthusiastic fans.The movie that started it all. We hope these pieces-and performances-relay fresh and piquant impressions of the Star Wars universe. As we transfered our ideas to paper, we sought to capture the films' epic scope, mythic resonance, and undeniable sense of fun.
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This process of watching the entire series and listening to all the soundtracks was not only a tremendous source of enjoyment and satisfaction (believe me, the arc is really impressive when you take in all the episodes consecutively in two sittings!) it ultimately provided us with a global view of the saga. Greg and I marveled over virtuosic light saber duels, argued over the coolness of Luke Skywalker and Hans Solo (Greg prefers Luke whereas I'm a Solo woman, probably because I've always loved the romantic tension between him and Leia, one of my favorite cinematic heroines!), and-of course-we noted which themes excited and moved us. I recall watching all six films in succession during spring break that year, stuffing ourselves with pizza and Chinese food. Instead, we focused on the music's character, atmosphere, and irresistible appeal.
While composing this work, Greg and I intentionally avoided a direct "translation" of John Williams's score. It is centered on the ubiquitous Force theme. This movement, in contrast to the first movement, is fluid and free. This performance of "Impression 2" was recorded at my master's recital at Juilliard, just a few days after Greg's recital. Fragments of other musical motives are embedded in the texture: if you're astute enough you may notice the Force Theme, Darth Vader's theme, Yoda's theme, and various excerpts of the battle music. It is fiendishly difficult (note the constant jumps in the bass and the skittering passagework all over the keyboard) but its spirit is carefree and playful. Impression 1 is an Art Tatum-esque rag based on the iconic Cantina theme from the original Star Wars film, otherwise known as Episode IV. This performance of "Impression 1" was an encore at Greg's master's degree recital at The Juilliard School in April 2006. Both performances were taped live in concert. In these videos you will see Greg and I performing two movements of our Star Wars Fantasy: Four Impressions for Two Pianos. In the meantime, check out the latest videos we've posted on YouTube (or watch them below). Wow, nearly a month has gone by since my last blog entry-time flies! While things have been relatively quiet on the duo front, Greg and I want you to know that exciting things are on the horizon, most notably our debut album (which is due to be released in January).
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